Arsenal of Words

The Writing of Arthur Klepchukov

Category: Writing Stories

How a College Freewriting Prompt and Being Woken by a Downtown Songbird Led to My Shortest Publications

Small bird perched on wire in the city

Small bird perched on wire in the city

A brief conversation with a lone songbird in San Francisco. A vulnerable state before free fall. I explore these ideas in my latest flash fiction publications “Dawnsong” and “lying is the girl” out now in KYSO Flash, Issue 10 (Fall 2018).

What amount of effort went into getting these two stories published?

My statistics for “Dawnsong”:

  • 100 words
  • 1 draft (I know, I know, I’m surprised too)
  • 10 submissions
  • 6 rejections, 1 encouraging rejection
  • 3 withdrawals

My statistics for “lying is the girl”:

  • 100 words
  • 3 drafts
  • 6 submissions
  • 4 rejections, 2 encouraging rejections
  • 1 withdrawal

These are lucky numbers, especially given just one draft of “Dawnsong” and the small number of submissions of “lying is the girl.” Read on about my process.

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How Writing and Submitting Short Stories Improved My Novel

Why should a novel writer devote precious writing time to short stories? After five novel drafts, two years of submitting shorter fiction, and seven publications, here are my reasons.

  • Do Something With All Those Ideas
  • Understand the Impact of Every Edit
  • Feel A Sense of Completion More Often
  • Practice Finding Comps
  • Strengthen Your Query Letters
  • Give More Than One Story A Chance

Read my guest post over at The Spun Yarn for how and why I juggle multiple projects, even when one is something as ambitious as a novel draft.

Read: how writing stories helps my novel.

“Reading Willow” Published in The Common

Reading-Willow

What expectations transcend distance and life changes? I explore that in under 400 words in my latest flash fiction publication, “Reading Willow” in The Common.

What amount of effort went into getting “Reading Willow” published?

  • 2 drafts
  • 5 submissions
  • 2 rejections
  • 2 withdrawals

These are lucky numbers, especially given that this story didn’t earn any encouraging rejections. Read on about my process.

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“bleedin’ peach” Published in KYSO Flash

a red peach

Photo by Charles Deluvio 🇵🇭🇨🇦 on Unsplash

What can a newborn teach his father about shaving? To find out, read my latest flash fiction publication, “bleedin’ peach” in KYSO Flash.

What amount of effort went into getting “bleedin’ peach” published?

  • 3 drafts
  • 2 submissions
  • 1 encouraging rejection

These were exceptionally small, lucky numbers. I have stories that are approaching 30 submissions, so it’s lovely to experience quick publication magic in this case.

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“Rivet Here” Published in Necessary Fiction

Rosie the Riveter - We Can Do It! poster

I’m proud to share my first online publication, the 500-word flash fiction “Rivet Here” in Necessary Fiction. This story is about a new kind of relationship that blossoms in a small town when all the men leave for World War II.

What amount of effort went into getting “Rivet Here” published?

  • 4 drafts
  • 15 submissions
  • 11 rejections, 3 encouraging
  • 3 withdrawals

Keep reading for the details and some reading recommendations.

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128 Submissions, 93 Rejections, 1st Publication

Today, my submissions journey reaches the next step! I started submitting stories to contests and literary journals over two years ago, founded a critique group, curated a submissions calendar, and wrote contest roundups for Writer Unboxed. But this week and with this email, I achieved my next goal:

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My Short Story Submissions Calendar

How do you know where to submit your enthusiastically crafted, thoughtfully critiqued, and carefully revised short stories? I’ve recently started down this journey toward publication and thought it would be helpful to share my submissions calendar, a curated list of contest deadlines and calls for submission. These are opportunities I believe are at least worth considering for your short story submissions (and in many cases poetry and creative nonfiction). Some are regional to the San Francisco Bay Area but most are not.

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LitQuake 2015: The Art of the Short Story

This weekend I attended LitQuake 2015’s excellent panel, The Art of the Short Story. Thanks to Mark Peterson for moderating Jodi Angel, Tom Barbash, Grant Faulkner, and Siamak Vossoughi. This is a summary of my largely paraphrased notes.

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