Please enjoy these samples of my published writing.
A Damn Fine Town
A little boy in a red cape whooshes past me on the early morning train. He’s dead set on flying down this musty subway car headed for the airport. Kid Cape.
Heh, I must’ve had a costume like that for Halloween. Probably wore it too long too.
No one I scouted paid any attention to me thanks to this nondescript jacket in this indifferent pose with this vague stare. But this kid spins around, runs back, and eyeballs me. He’s my daughter’s age.
“POW!” Kid Cape says with a grimace and a tiny, hairless fist pointing at my nose. “I stopped you!”
His first ten days of life, he only knew a doctor’s latex touch. Preemie. Such a cruel word for such a cute boy. I needed to rub my cheeks on his. I nuzzled up to him. For a moment his warmth reached beyond his five pounds. But he jerked his head in the unshaven direction of my cheek and filled our apartment with tearless cries. Oh, Alexander.
“What unshaven direction?” Mom asked that evening when I brewed coffee in preparation for another upright night of soothing.
Read more in KYSO Flash, Issue 9
In the hour of creeping light—too late to call insomniac—I trace the highways of sleepless sweat over my body to the chirping song of a lone bird.
Read more in KYSO Flash, Issue 10
Let me tell you why novels don’t get done. You’re young and full of words, so you spend a summer pouring your nights into dawns and crippling your fingers because they can’t curve into how you feel. Neither do the letters, no matter how many fonts you cycle through.
That’s a first draft.
That’s my contribution to this morning’s revision party. A party for me and my friend June, at another cafe where no one’s invited to my world or June’s. They aren’t ready yet.
Read more in Third Wednesday, Vol. XI, No. 1
lying is the girl
You ready? Last flight leaves in 45!”
She isn’t. Asks me to grab her lipstick. We’re going skydiving; who cares what pink shade wraps your screaming lips at 10,000 feet?
Read more in KYSO Flash, Issue 10
My wife pointed out the willow tree on move-in day. The branches draped over a hill as round as my wife’s belly at seven months. We’d traded a West Coast high-rise for an East Coast village where the only thing to wake our baby would be other babies. We came to the city in our youth. And we left for our youth.
Read more in The Common Online
Before our men all left in ’42, there he’d been. Our windows pointed at their driveway. His cigarettes pulled my chin like a fish hook — sleek, not painless. I’d see the couple next door necking by their truck and leer from our living room, dust clean blinds as an excuse to watch.
Read more in Necessary Fiction
A Homesick Wanderlust
I detest the word “content.” It implies complacency, a lack of momentum and desire, and a surrender to your life as is. As Jess Walter says in Beautiful Ruins, “we want what we want.” Not wanting is tantamount to not existing. Making an enemy of contentedness makes me re-evaluate my habits and routines, even when it comes to writing.
Read more in Shut Up & Write! Zine
Why I Write
Rebecca Solnit described writing as a conversation across time with someone you haven’t met yet. Isn’t that the ultimate saving grace of a creative ego? Even if you’re dead and forgotten, you’ll survive in the words some reader may find and empathize with one tomorrow.
Read more in Fiction Southeast
blinks of awe
Poetry you can see, touch, and hear. Exclusively for iBooks (iPad & Mac).