Arsenal of Words

The Writing of Arthur Klepchukov

Tag: expectations

Why I Shut Up & Write

Where are you at 10:00am sharp on Saturday mornings? Sleeping in? Waking up? Waiting for brunch? I’m usually grabbing a seat at Mo Joe’s Cafe for a Shut Up & Write! marathon. To make it on time, I have to wake up before 8 in sleepy San Francisco to catch a just-shy-of-9 train that whisks me away to Berkeley and a spot at Mo Joe’s. Why do I bother? That first check-in.

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Expired Eyes

The scars you leave on me are just tattoos that
no one else can see, they’ve bled ad nauseam,
invisible ink pouring from the pores of lashes
and old sores, a tale of muted agony tailed by
the climax of a self-fulfilling prophecy. I knew.

The stars you leave me with are just dreams that
we abandoned, racing to prove they once existed
recalling how it once was like to be kissed by light
before bleeding across a generation of galaxies
to exile in your soft, cold cheeks as pale. I knew.

The jars you leave me in are just the parts you
want to be, containers of convenient, misfits for
what really happened, they leave nil to breathe:
for fusing crimson curiosities, building empires
of what if, or asking. Only me in pieces. I new.

I’d lose you.


Partially inspired by Sophie Ellis-Bextor’s
“The Walls Keep Saying Your Name”

I’m Not a Writer, I Write

The question “Are you a writer?” always makes me uncomfortable. Some days I don’t write. Does that mean I’m not a writer on those days? Where does the expectation of writing every day come from? Did I find it true for myself? Did I unconsciously assume it as part of some vague notion of what a writer is? What benefit have I derived from that expectation? From saying “I’m a writer?” At this point, I usually scoff in frustration at this black hole of semantics, philosophy, and identity and settle for the simplest answer that makes the most sense: I write. And I write, without worrying about what I am.

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What Else Can a Poem Be?

The following snippet of Jack Morgan’s review of blinks of awe brings up some fun questions:

…it’s hard to judge his poetry by itself because it isn’t. Are we going to start judging poetry like we do films and plays, where every job is criticized on its own merit? Should I take the sound production on its own and talk about that? We get a lot of new questions from work like this, which might be why Klepchukov made it in the first place.

Jack is referring to the unique qualities of the poetry in blinks of awe: the book lets you see my visual representation of each poem and lets you hear how I feel each poem should sound. How do you judge poetry by itself when other elements are involved? More importantly, do you even have to?

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