Arsenal of Words

The Writing of Arthur Klepchukov

Rejection from Glimmer Train

Rejection 5 on my journey to 50 submissions in 2017 came from Glimmer Train’s Family Matters Contest. 50 day response time. All four of my rejections from Glimmer Train are in the 50-60 day range so I appreciate their consistency and responsiveness!

Dear Arthur,

We really like reading November/December Family Matters contest submissions because of the many views they offer about the intimacy and challenges and importance of family. “WINC-FM” did not place this time, but it was a good story, and we’re glad to have read it—thank you!

Warm regards,

Susan & Linda
Glimmer Train Press

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Make Money with Your Fiction: Tips for Publication

A thoughtful take on short story submissions with specific cover letter advice.

I Just Want To Write!



If you choose to work as a freelance writer, most of your work will be commissioned and dictated by other people. It still beats the hell out of other jobs, believe me, but the job sets inherent boundaries. You have to write content relevant to a client’s blog. You have to turn the client’s words into a coherent post, article, or book. If you choose to take the entirely traditional route and only pitch stories to magazines, you have far more control over the subject of your writing, but you probably aren’t pitching fiction or poetry. If you are, please tell me in the comments where and how you’re doing that because I would love to know.

Essentially, as a freelancer, your bread and butter comes from nonfiction pieces driven by the needs of a client. But there’s a high likelihood that if you’re a writer by trade, you also…

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Rejection from The Missouri Review

Rejection 1 on my journey to 50 submissions in 2017 came from The Missouri Review’s 2016 Fiction Contest. 100 day response time. 

The lack of personalization doesn’t feel great, but I see that more often with contests than open submissions. I appreciate them including all the winners and finalists in the email rather than making me click through or hunt them down on the web site.

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My Short Story Submissions Calendar

How do you know where to submit your enthusiastically crafted, thoughtfully critiqued, and carefully revised short stories? I’ve recently started down this journey toward publication and thought it would be helpful to share my submissions calendar, a curated list of contest deadlines and calls for submission. These are opportunities I believe are at least worth considering for your short story submissions (and in many cases poetry and creative nonfiction). Some are regional to the San Francisco Bay Area but most are not.

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Why I Write

The following is my winning entry to the Kevin Smokler Scholarship for the 2016 San Francisco Writers Conference (SFWC). The conference began yesterday and I’ve already gleaned a lot from a first day of connecting with insightful writers, editors, and agents! A huge thanks to Kevin Smokler for sponsoring the scholarship and SFWC’s Barbara Santos for sharing the great news.


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Listen to LitQuake 2015’s The Art of the Novel

Last month I attended LitQuake 2015’s excellent panel, The Art of the Novel. Thanks to Alex Green for moderating Cristina GarcíaBruce BaumanAlexis Landau, and Tiffany Baker. This panel was the same format as my previous post, The Art of the Short Story.

Interesting questions posed to the panelists:

  • How do you know an idea is a book?
  • Why are synopses so hard? How do they compare to outlines?
  • Are the character voices you hear simply your voice?
  • Where does the research end and the art begin?
  • Do your characters process what you’re trying to process?

Listen to the audio of the panel below.

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LitQuake 2015: The Art of the Short Story

This weekend I attended LitQuake 2015’s excellent panel, The Art of the Short Story. Thanks to Mark Peterson for moderating Jodi Angel, Tom Barbash, Grant Faulkner, and Siamak Vossoughi. This is a summary of my largely paraphrased notes.

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Why I Shut Up & Write

Where are you at 10:00am sharp on Saturday mornings? Sleeping in? Waking up? Waiting for brunch? I’m usually grabbing a seat at Mo Joe’s Cafe for a Shut Up & Write! marathon. To make it on time, I have to wake up before 8 in sleepy San Francisco to catch a just-shy-of-9 train that whisks me away to Berkeley and a spot at Mo Joe’s. Why do I bother? That first check-in.

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Worldcon 2015 Highlights

Last week, I took a pair of trains from San Francisco, CA to Spokane, WA, for Worldcon / Sasquan, my first big writing con. Two local writing friends spearheaded the trip and I jumped on an opportunity to have another scenic journey and soak up what I could!

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faith n’ flickers

Listen to me read this poem in the embedded player below or on SoundCloud:


he lay there
gasping for the numb to end
his was an unfelt pain
all in his head — er, heart
that’s what these romantics swear by
their cardiovascular deity
but I took pity on him nonetheless

his red carnivore gravity
thrusting up and out
believing it could warm infinite sky
believing every spark must rhyme
and life is but a matter of
finding other halves
ignoring that some flickers fan a flame
that feeds on sympathy & naiveté — but
he bared himself regardless
hoping that girls like me
were wrong

and even laying here
shattered by another blonde
he fed the earth with lyrics of his blood
the starless sky with breathless faith
melted eyes begging to not be in vain

this — is how a nonbeliever negates herself
in the presence of expiring chance
with a lipstick bandaid
to heal his hunger for affection
bred by one acid kiss
from another inspired miss

Replenished Purr

another soul / napping on you guarantees / you will feel more loved

a melted art

Once upon a Cold, we painted with
our Breath, drawing grand designs with Frost.
We thought the Ice would last
all season, comfort of our white Chrysalis
wrapping Crystal dreams.
We antici-
pated  each  coming  day
like a Snowflake waits
for infinite friends to follow
it’s unique descent.
We didn’t fear starry hours
or burned out sky
because even that
was Bright.
And one morning whispers with a
drip. drip.
delicate palaces rush into consciousness.
new chrysalis cries
as every brick of what we built
becomes a warmer, wetter winter tear.
collapsing towers, liquid architectures dancing
deep in ear canals, all flowing castles of the fall.
Tall empires all return to sea level.
farewell, foundations.
goodbye, stuck moments.
take care, cold friends.
hello, invisible breath.
now fleeing into pavement rivers,
moving as if only motion was alive,
sunlit course corrections,
shifting midstream to not die.
but I weep for our grand designs,
no solace in the warm survival of their parts,
impermanence courts chaos
in what’s left
of a pair
of frozen hearts.

Maidan Morning

From my personal journal, February 1, 2014:

The barricades on Hrushevsky Street, the site of one of the worst battles of the Maidan (as of February 1, 2014). The black clusters in the distance on the far left, are Berkut behind their shields.

The barricades on Hrushevsky Street, the site of one of the worst battles of the Maidan (as of February 1, 2014). The black clusters in the distance on the far left, are Berkut behind their shields.

Seeing Maidan in person left me in a state of mild awe. How can so many souls come from near and far, gather, organize, donate, protest, fight, break, bleed, die, and wake up to do it again and again for months? There must be something here, something about these folks with a sacrificial focus. I would not believe the sheer mass and force of this effort unless I took in every street with my own eyes, smelled the barrel fires on the winter wind, tasted the smoke of recent battles, heard the whispers of the hurt, or touched the weapons used against those who stood here, in the face of faceless oppression. Danger be damned, I regret not coming here earlier. All the parts of me that sat in that airport on the other side of the Atlantic and hesitated to board my flight melted away. I wish I went at the start of this trip instead of the very last day.

I felt things today I’ve never felt before.

I’m proud of these people. All of them. I’ve never felt sympathy or anything particularly positive about nationalism, patriotism, living in any of the dozens of places I’ve lived, or even being on any kind of team. Today, I got my first taste of what gets others so fired up about a shared idea. I felt what holds them together. Today, I stood in the middle of something vastly bigger and more important than myself, a witness to a change more important than any I’ve experienced and that will affect many more people than I can ever know. And this wasn’t an abstract political idea, or something frivolous and fleeting like a sports game, or imagined like a film or a painting or a book or a startup spreadsheet or university research project. These weren’t curated images on the news. The effects were immediate and real. I could see it in the faces of the grandmas handing out free meals, the men younger than me in half-winter, half-battle gear patrolling every barricade and the entrances of every conquered building, in the spray painted fervor on the signs and the shields and the banners and the doors masking the downtown materialism, in the crass caricatures and beautiful pieces of art being painted in front of me, steps away from where protesters died, in freezing winter temperatures, in the hands of the inspired, who refuse to leave in spirit and in body.

All of this stirred faith in the power of a commoner exercising a fundamentally defiant right to say: Enough. It’s time for change. I left Ukraine at eight-and-a-half years old and grew up with a healthy skepticism of all things Soviet and post-Soviet. I believed that the Slavic people of my birthplace were an inexcusably tough and unpleasantly cold, uncaring people. I am proud to be so gloriously wrong. I am proud to glimpse at a place I feared, that almost made me cancel this trip, and open my heart to it’s wonder and woe. I am proud to have faith that change is not only possible but inevitable, because that is the will of the wronged. Now, I am proud to share a heritage, a history, a spark, no matter how tiny or distant or morphed by Americana with these people, my people. Today, for the first time in my nomadic life, I’m proud to say: I am a Ukrainian. However brief, I stood with my people and I belonged.

This is not my fight. I realize that all this passion may be the sentimental first impressions of a naive boy lucky enough to grow up sheltered in middle class America. But whatever it may be, I had to share this day. I owe an enormous debt of gratitude to the family friend who gave me a two hour walking tour of every major place of protest. She was there every step of the way since November 22, 2013 when this started and wouldn’t let me explore alone. At the end of our time, I put every dollar in my pocket in her purse and said, “for Maidan.” What was supposed to be a thoughtless wedding gift to my sister before I learned she was marrying into wealth became the first donation of my life. It felt subpar to what I considered donating: a missed return flight and an indefinite stay in this dangerously inspiring place. Wherever this takes me, however idealistic this may all seem, I never want to forget how my heart beat differently on the Maidan as I read signs like: “The will of Ukraine or death” and “better a coward on the Maidan than a coward behind the TV.”

Some things you have to experience in person. So find the courage to take a risk. You may be stunned at how moved you are by a solemn civilian soldier with a bleeding cheek, snowflakes on his steady breath, the smell of burnt tires rising from his feet, defending his idea of tomorrow.

Remains of weapons used against the Ukrainian protesters on the Maidan: rubber and metal bullets, concussion and stun grenades wrapped in shrapnel-to-be, and skin-splitting rounds for maximum blood loss.

Remains of weapons used against the Ukrainian protesters on the Maidan: rubber and metal bullets, concussion and stun grenades wrapped in shrapnel-to-be, and skin-splitting rounds for maximum blood loss.

Some people can't help but create amidst all the destruction. The outpouring of art, including this painting-in-progress at subzero temperatures, was stunning.

Some people can’t help but create amidst all the destruction. The outpouring of art, including this painting-in-progress at subzero temperatures, was stunning.

Nomad, my first short film

A couple meets for coffee on the last day of their relationship.


Night is like a song that you can’t see
so you make up scenery to fill the gaps
between fluorescent highways. and forests possible.
Figments of figs twist with twigs into
nocturnal architectures of confusing beauty.
Headlights slice into your eyes and ruin
the surprise so you return to sound
of foggy rain and smoky tears,
trying to fit between the droplets
without feeling cold or found. and failing.
World exposed as just imagination but
your faith blooms, believing
makes the secrets breathe.
Traffic rolls across eyelids like
tracks of fading bright and wet tails
across the windshield. and when
you peek again you find only rubies
staring back like mute, unblinking fireflies
and you know you’re driving blind
no matter how wide your spies are open.

Listen to me read Edgemoor:

(If you don’t see anything above, listen to the track on SoundCloud.)

Blinks of Awe Beyond the iPad

So far only poetry lovers with iPads have been able to read blinks of awe, my new poetry book. People without an iPad can now get a better peek at the poetry in the book, which you can see, touch, and hear. I also want to learn where else people want to experience this kind of work. So please check out the samples below and voice your opinion!

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On a re-reading of my previous post, I realized the end of the poem contained a haiku:

On the shore’s blue blend
men become boys again
toes plucked from the sand

That made me smile, share it on Twitter, and look for other #haiku tweets. Here are my favorites:


and add another of my own:

sound of summer night
singing into empty warm
dancing, with my sweat

Ripping Current

I return where I was born, not physically
Driving a machine that didn’t yet exist
through the sleepy streets nocturnal
every intersection bursting with memories
Past overgrown trees surrounding
an elementary school I can’t see
Thrusting into radio static songs
names scenes all unfamiliar
except the change drums as
predictable as heartbeats
On the sandy road between a home
and the soundtrack of the sea
where I lingered now, and then
Walking by a mother n’ son and waves ending
that’s called sea foam, she said
walking by a memory being formed
On the shore’s blue blend
men become boys again
toes plucked from the sand
and it’s years before the tide returns them

Inspired by the shores of Virginia Beach, VA

Expired Eyes

The scars you leave on me are just tattoos that
no one else can see, they’ve bled ad nauseam,
invisible ink pouring from the pores of lashes
and old sores, a tale of muted agony tailed by
the climax of a self-fulfilling prophecy. I knew.

The stars you leave me with are just dreams that
we abandoned, racing to prove they once existed
recalling how it once was like to be kissed by light
before bleeding across a generation of galaxies
to exile in your soft, cold cheeks as pale. I knew.

The jars you leave me in are just the parts you
want to be, containers of convenient, misfits for
what really happened, they leave nil to breathe:
for fusing crimson curiosities, building empires
of what if, or asking. Only me in pieces. I new.

I’d lose you.


Partially inspired by Sophie Ellis-Bextor’s
“The Walls Keep Saying Your Name”

Without Tomorrow

The glass cracks before my eyes and I
admire the fractal patterns. Branching limbs
reaching for the edges, just to find them. Nails on
endless rows of fingertoes too short, too close,
too hurt. So hungry for an end
they forget to taste.

So soon we’ll suffocate.
But now will never breathe again.

Tomorrow we expire.
But now already has.

Forget the next. It’ll still come.

As long as there’s no tomorrow, we can
rise to enjoy the fall. Smile before the reasons flee.
Abandon all perspective. Escape causality.
Dance with silence before it shatters.