…it’s hard to judge his poetry by itself because it isn’t. Are we going to start judging poetry like we do films and plays, where every job is criticized on its own merit? Should I take the sound production on its own and talk about that? We get a lot of new questions from work like this, which might be why Klepchukov made it in the first place.
Jack is referring to the unique qualities of the poetry in blinks of awe: the book lets you see my visual representation of each poem and lets you hear how I feel each poem should sound. How do you judge poetry by itself when other elements are involved? More importantly, do you even have to?